Cart

North and South (Dover Books on Literature and Drama) PDF, ePub eBook


Hot Best Seller
Title: North and South (Dover Books on Literature and Drama)
Author: Elizabeth Gaskell
Publisher: Published January 23rd 2013 by Dover Publications (first published January 1855)
ISBN: null
Status : FREE Rating :
4.6 out of 5

19798625-north-and-south.pdf

In order to read or download eBook, you need to create FREE account.
eBook available in PDF, ePub, MOBI and Kindle versions


reward
How to download?
FREE registration for 1 month TRIAL Account.
DOWNLOAD as many books as you like (Personal use).
CANCEL the membership at ANY TIME if not satisfied.
Join Over 150.000 Happy Readers.


This richly textured novel of romance and class conflict explores the dichotomies between the pastoral South and industrial North during England's mid-Victorian era. Praised by Dickens as "an admirable story," this is a turbulent tale of a woman torn between her sympathy for discontented millworkers and her love for the factory's owner.

30 review for North and South (Dover Books on Literature and Drama)

  1. 5 out of 5

    Barry Pierce

    It's Pride and Prejudice for Socialists.

  2. 4 out of 5

    Blacky *Romance Addict*

    This will be a quote/pic review, I don't have time for a long one, and this is such a classic, that whatever I write won't be good enough :) There will be spoilers as some of my fav quotes, just so you know :) Thornton and Margaret <3 "He almost said to himself that he did not like her, before their conversation ended; he tried so to compensate himself for the mortified feeling, that while he looked upon her with an admiration he could not repress, she looked at him with proud indifference, taki This will be a quote/pic review, I don't have time for a long one, and this is such a classic, that whatever I write won't be good enough :) There will be spoilers as some of my fav quotes, just so you know :) Thornton and Margaret <3 "He almost said to himself that he did not like her, before their conversation ended; he tried so to compensate himself for the mortified feeling, that while he looked upon her with an admiration he could not repress, she looked at him with proud indifference, taking him, he thought, for what, in his irritation, he told himself he was-a great rough fellow, with not a grace or a refinement about him." "He shook hands with Margaret. He knew it was the first time their hands had met, though she was perfectly unconscious of the fact." "He laid her down softly, and looking on her pure white face, the sense of what she was to him came upon him so keenly that he spoke it out in his pain: 'Oh, my Margaret-my Margaret! no one can tell what you are to me!'" 'I dare not hope. I never was fainthearted before; but I cannot believe such a creature cares for me.' ... 'But I know she does not care for me. I shall put myself at her feet-I must. If it were but one chance in a thousand-or a million-I should do it.' 'You look as if you thought it tainted you to be loved by me. You cannot avoid it. Nay, I, if I would, cannot cleanse you from it. But I would not, if I could. I have never loved any woman before: my life has been too busy, my thoughts too much absorbed with other things. Now I love, and will love. But do not be afraid of too much expression on my part.' "How was it that he haunted her imagination so persistently? What could it be? Why did she care for what he thought, in spite of all her pride in spite of herself?" "He lashed himself into an agony of fierce jealousy. He thought of that look, that attitude!-how he would have laid his life at her feet for such tender glances, such fond detention!" "What shall I do? What do I mean? Why do I care what he thinks, beyond the mere loss of his good opinion as regards my telling the truth or not? I cannot tell. But I am very miserable! Oh, how unhappy this last year has been!" 'Where she had suffered so much.' Alas! and that was the way in which this eighteen months in Milton-to him so unspeakably precious, down to its very bitterness, which was worth all the rest of life's sweetness-would be remembered. 'I wanted to see the place where Margaret grew to what she is, even at the worst time of all, when I had no hope of ever calling her mine.' 'Oh, Mr. Thornton, I am not good enough!' 'Not good enough! Don't mock my own deep feeling of unworthiness.' My buddy reader Nicole said everything there is to say about the book, just beautiful, if you want to know more, just read her review :) DUCHESS NICOLE'S REVIEW *buddy read with Tea, Karen, Nicole, Cathy, Amaryllis and I think there were some more people ahahhahah, anyway A LOT OF US*

  3. 4 out of 5

    Fiona

    I have just completed reading this book for the second time and it has been even better then the first time. I'd already seen the BBC series before reading the first time so I already knew the story, and I wish I'd come to the books afresh in a way though I do not think that would have altered in anyway, the way I perceived them. Though Richard Armitage certainly does help and I swooned over Thornton even more. What I love about North and South is the passion and the realness of the characters, th I have just completed reading this book for the second time and it has been even better then the first time. I'd already seen the BBC series before reading the first time so I already knew the story, and I wish I'd come to the books afresh in a way though I do not think that would have altered in anyway, the way I perceived them. Though Richard Armitage certainly does help and I swooned over Thornton even more. What I love about North and South is the passion and the realness of the characters, the emotion between the characters. I loved the passion of Thornton, his feelings and emotion so strong and real they almost popped off the page. The characters aren't characters but people, and they feel real and honest, not caricatures of people or flat emotionless representations. North and South is Pride and Prejudice meets Industrial Revolution in the North of England. Only, Mr Darcy is more of a Margaret in that she snobs Mr Thornton in the beginning. Like Lizzie though, Margaret is a strong woman - and more fiercely independent. Both of these books would make an interesting comparison. Both books are set in rather different times. North and South in a time when women could own property and so could be more independent. The industrial revolution was in full fledge with the rising middle class during a great time of progress. The railway made it easier for people of all classes to move about. North and South is a love story that takes place on the background of two conflicts - the class conflict between the North and the South, and the conflict between the mill owners and the trade unions. Mr Thornton is a tradesman from Milton (really Manchester) and Margaret is the daughter of a parson from the New Forest. She has grown up for most of her latter path of childhood in Harley Street, London. When Margaret's father decides to leave his job as parson of Helstone in the New Forest over a crisis of conscience he takes his family to Milton to start a new life as a tutor. One of his favourite pupils is the mill owner, Mr Thornton who is brusque and does not have the manners of the south. There was a great snobbery about tradesmen - even though money-wise Thornton was richer then the Hales - he was still a tradesman rather then a perceived gentleman. And through misunderstandings of each others manners and ways, Margaret and Mr Thornton often find themselves at opposing sides of the argument. Meanwhile, she also befriends Nicholas Higgins, a passionate mill worker who is behind the trade union strikes. I much prefer North and South to Pride and Prejudice, though both are so different from each other in many ways. Gaskell is a bit more worldly, having been married, lived in the North and having a wider circle of friends. Her father was also a dissenter who left the church on grounds of consciousness, a theme I have noticed popping up in her other stories. (My Lady Ludlow springs to mind.) So North and South has a much more wider perspective. I think in the end though, what makes a novel good, what makes a good author - is their ability to create characters that feel so real you can almost tough them. If the characters are flat, then so will the rest of the story even with a brilliant plot - it is the characters that make a story. Margaret Hale and John Thornton are two people that live on in my imagination.

  4. 5 out of 5

    Candi

    Update June 16, 2018: I watched the BBC production this past week and it was outstanding! I highly recommend pairing the book with the movie. While I rated the book 4 stars, the entire package of paper and screen is a sure 5+ stars. The movie adds that extra bit of magic that I found didn't come across as well in the writing alone. And the acting? - superb! Yes, I did need to fan myself on several occasions - thank you Richard Armitage. And that ending.... sigh :) About three or four years ago I Update June 16, 2018: I watched the BBC production this past week and it was outstanding! I highly recommend pairing the book with the movie. While I rated the book 4 stars, the entire package of paper and screen is a sure 5+ stars. The movie adds that extra bit of magic that I found didn't come across as well in the writing alone. And the acting? - superb! Yes, I did need to fan myself on several occasions - thank you Richard Armitage. And that ending.... sigh :) About three or four years ago I picked up a copy of Gaskell’s Wives and Daughters on a whim, never before having heard of the book or even the author for that matter. (I know, thank goodness for Goodreads or I would forever remain in a state of ignorance!) I did not expect to become absolutely smitten with both the novel and its characters. I immediately placed it on my ‘favorites’ shelf and added numerous other Gaskell works to my list. Finally, I have gotten around to reading another. I will start out by saying that I truly enjoyed and appreciated this work of fiction. Set in England during the time of the Industrial Revolution, North and South tackles some of the major economic and social issues of the time. Gaskell earnestly depicts the differences between the north of England and the south of England both geographically as well as through her characters. With great insight, she portrays the conflicts between the working class and the more affluent mill-owners, the ‘masters’. She is sympathetic to both, realizing that each depend upon a mutual understanding in order to thrive. "I see two classes dependent on each other in every possible way, yet each evidently regarding the interests of the other as opposed to their own; I never lived in a place before where there were two sets of people always running each other down." Margaret Hale has lived a life of luxury in London with her Aunt Shaw and cousin Edith for some time. When she moves back to the relative tranquility and more modest living of her parents' home in Helstone, she quickly adapts to her new surroundings. However, when her father decides to leave his position as minister of this small hamlet and uproots the family to the manufacturing town of Milton in the north of England, neither Margaret nor her mother are at all keen about this sudden upheaval. The ‘north’ is a place of smoke and fog, factories, factory-workers and tradesmen. Margaret brings along some of her preconceived notions and prejudices to Milton: "I call mine a very comprehensive taste; I like all people whose occupations have to do with land; I like soldiers and sailors, and the three learned professions, as they call them. I'm sure you don't want me to admire butchers and bakers, and candlestick-makers, do you, mamma?" While in Milton, Margaret’s father, Mr. Hale, strikes up a friendship with the self-made industrialist John Thornton. Margaret and Thornton, on the other hand, clash immediately. But it is through this antagonism that each grows and learns from the other. Thornton is a man who at first appears hard and uncompromising. Like the others of his profession, he remains stolidly apart from his subordinates. Margaret eventually befriends millworker Nicholas Higgins and his ailing daughter, Bessy, whose lungs have been permanently damaged from her work in the factory. This newfound friendship changes Margaret from one contemptuous towards the working class to one that becomes an advocate of social justice. She has found new meaning to her life. "From that day Milton became a brighter place to her. It was not the long, bleak sunny days of spring, nor yet was it that time was reconciling her to the town of her habitation. It was that in it she had found a human interest." When Margaret inadvertently becomes involved in a mill-workers’ strike organized by the union, she and Thornton reach a turning point; yet misunderstandings, pride and former sensibilities stand in the way of what seems to be a mutual admiration. Margaret’s championing of the workers along with Thornton’s respect for Miss Hale and his recognition of the plight of his employees bring about much needed change. The question remains as to whether this will be enough for both a lasting harmony between ‘master’ and worker as well as a triumph of love between man and woman, that between north and south. This is a book that I would not hesitate to recommend to anyone that is fond of classic Victorian literature. It is a novel of tremendous self-discovery and excellent character development – particularly in the protagonists, Margaret and Thornton. It is an interesting and worthy depiction of the Industrial Revolution in England. It did not quite soar to the level of Wives and Daughters for me personally, perhaps slightly lacking in the magical charm of that beloved treasure. I also love a dash of wit sprinkled into my classic literature as well and did not quite find that here. Nevertheless, it is a very fine piece of literature and I’m very pleased to have read it. I have a copy of the BBC production sitting on my coffee table just begging to be watched. I anticipate a huge swoon fest with that one! I mean, seriously, who can resist Richard Armitage?! His voice alone is enough to make a fairly reasonable girl turn giddy. Maybe an update to the review on that later.

  5. 5 out of 5

    Tadiana ✩Night Owl☽

    So about 5 years ago a friend and I were fangirling about Jane Austen generally and debating the merits of the various film adaptations of Pride and Prejudice--Colin Firth and Elizabeth Garvie (from the 1980 BBC version) FTW, by the way--and she says, "You have to watch this!" and hands me a couple of DVDs of North and South. And I say "thank you" but I'm thinking to myself, well, Patrick Swayze was pretty hot back in the day, but why on earth is she giving me DVDs of a U.S. Civil War miniseries So about 5 years ago a friend and I were fangirling about Jane Austen generally and debating the merits of the various film adaptations of Pride and Prejudice--Colin Firth and Elizabeth Garvie (from the 1980 BBC version) FTW, by the way--and she says, "You have to watch this!" and hands me a couple of DVDs of North and South. And I say "thank you" but I'm thinking to myself, well, Patrick Swayze was pretty hot back in the day, but why on earth is she giving me DVDs of a U.S. Civil War miniseries when all we've been talking about is Jane Austen? So the DVDs got lost in the depths of my entertainment center and I never watched them. Then a year or so ago I met some GR friends who were all, North and South! Richard Armitage!! and lots of pictures (only some of them shirtless) accompanied this gushing. And very gradually it dawned on me that just maybe my friend had something other than the Civil War in mind with those North & South DVDs. So I dug out the DVDs and blew off the dust. Sure enough, they contain Richard Armitage, not Patrick Swayze. :) So I confessed to her (she got a good laugh out of it) and I've actually both watched the DVDs now and read the book, which I had never heard of before I joined Goodreads, so thanks, GR friends! North and South was originally called Margaret, but luckily Charles Dickens, Elizabeth Gaskell's mentor, changed her mind. It's been called "an industrial Pride and Prejudice," and that's really not a bad description. Most of the characters have pride in themselves and their own piece of English culture, and prejudice against those whose ways are different, and this is epitomized by the conflict between northern and southern ways of life in the novel. Margaret Hale is from the South of England, where the landed gentry and aristocracy are based; John Thornton is from the North city of Milton (based on Manchester), a center of the industrial revolution, with self-made men and workers who are starting to unionize. Margaret's family is forced, by their reduced circumstances, to move to Milton when her father dissents from the Church of England and leaves his living as a pastor to become a tutor. Thornton, a cotton mill owner, is one of Mr. Hale's students, and at first he and Margaret strike sparks off each other in all the wrong ways, although Thornton at least is very attracted to Margaret, who isn't like any woman he's ever come across before in his life. But both of them are prejudiced in favor of their own way of life and against the other's.'You do not know the South. Mr. Thornton,' she said, collapsing into a determined silence, and angry with herself for having said so much. 'And may I say that you do not understand the North?' asked he, with an inexpressible gentleness in his tone, as he saw that he had really hurt her.While much of N&S is the story of how these two very different people learn to see their own (and their part of the country's) shortcomings and gain appreciation for the other person and their way of life, there is so much more going on in this novel that it would be a real disservice to view it just as a love story. Gaskell explores industrialization, the unionization movement and the changing lives of all of the characters. I could spend a long time talking about how she weaves in themes of prejudice, understanding, power and a person's duty to those he or she has power over, and the roles of women and men in society. Let's just say that Gaskell was a very advanced thinker for her time. Others have quibbled over the ending of the book, and I agree that it would have been nice to read more about (view spoiler)[the relationship of Margaret and John once they finally get together (hide spoiler)] , but I think from a literary and thematic point of view the ending is perfect: (view spoiler)[it sums up the way these two people from the North and South have gained humility about themselves and understanding and love for the other and their way of life, and--in a humorous way but with very serious undertones--the trouble they're going to have bringing around others in their families who are still bound up in all their prejudices. (hide spoiler)] Great book. Go read it. There are some fantastic discussions and analysis of the book and its events, characters and themes in the North and South GR group threads: https://www.goodreads.com/group/show/...

  6. 4 out of 5

    Lisa

    "Pride and Prejudice" wouldn't have been a bad title for this comparative study of English society in the midst of the Industrial Revolution. I must say that I was prejudiced against it before starting, and have to swallow my pride and admit I was wrong! I thought it would be a dry copy cat version of Hard Times, as the circumstances of its publication seemed to suggest that. But never trust your prejudices - that is what I learned from reading this highly entertaining and original story, and it "Pride and Prejudice" wouldn't have been a bad title for this comparative study of English society in the midst of the Industrial Revolution. I must say that I was prejudiced against it before starting, and have to swallow my pride and admit I was wrong! I thought it would be a dry copy cat version of Hard Times, as the circumstances of its publication seemed to suggest that. But never trust your prejudices - that is what I learned from reading this highly entertaining and original story, and it also constitutes the enduring message of the unfolding plot. A clash of cultures in miniature, between the traditional life style and manners of the South, and the raw, harsh, booming manufacturer ways of the North, it offers plenty of opportunities to play on different layers of pride and prejudice. The charm lies in the fact that each social group has its own code of honour, and feels contempt towards all other groups within English society. Margaret Hale and her parents, representing the South, despise the rough and straightforward behaviour of the rich and thrifty manufacturing people, and consider their education lacking and their company uninspiring. The North, on the other hand, represented by Mr Thornton and his family, sees the South as lethargic, sponging, and useless, and admires its own masculine strength, wealth and action. Both privileged classes, Northern and Southern alike, despise simple workers and their ideas, as well as servants and women in general. That is also reciprocal, and Elizabeth Gaskell brilliantly shows the arrogance and pride of workers, whose contempt for the manufacturers is just as strong as vice versa. Higgins, a passionate Unionist, takes pride in the organisation of a strike in exactly the same way that Thornton celebrates his ability to solve the issue to his own advantage. Pride and prejudice - all over the place. The slowly developing love story is threatened by the same problem. Rather than speaking openly to each other, both Thornton and Margaret choose to make up their own (prejudiced) minds on the behaviour of the (unconsciously loved) antagonist, and to proudly refuse any clarification of ensuing misunderstandings- until the very end. It sounds quite bleak, and the novel certainly does not paint mid-19th century life in idealistic colours, but Gaskell offers a solution to the social paralysis - on an individual level. What breaks the barrier of prejudice? Knowledge! As soon as Margaret understands the life of the people in the mill town Milton, she learns to respect it. When Thornton and Unionist Higgins get to know each other, and spend time together, prejudice changes into mutual respect, based on true understanding of the other person's perspective. Knowledge and communication are the best weapons against prejudice - in the novel, and in real life. And what destroys pride? Love. As soon as the characters realise they will lose what or whom they love, they are willing to overcome their pride and take a step outside their comfort zone. What Higgins refuses to do out of principle, he does out of love and compassion. And the same applies to Thornton and Margaret. It is possible to argue that Gaskell doesn't find a general solution for the clash of interests during the Industrial Revolution, and that she relies on strong personalities to step outside their social boundaries and reach out rather than on creating a social idea that works independently. That was my first thought. But then I reconsidered, and thought that it is precisely individual enthusiasm and willingness to make a change that puts social development in motion. No idea, and no theory are worth anything without people with an open heart, who see humanity in people who are entirely different from their usual environment and social training. True open mindedness starts with understanding the "other side" and with being curious to learn more about new perspectives. Individual effort pays off - in the long run. That is a stimulating and positive message!

  7. 5 out of 5

    Manju

    “Oh, Mr. Thornton, I am not good enough!' 'Not good enough! Don't mock my own deep feeling of unworthiness.” It took Margaret and Mr Thornton 451 pages (my edition) to reach here and what a journey it was. Painful at times, and adorable at others. Margaret came to the industrial town of Milton from Haleston, a village. Her father who is a parson took Mr. Thornton as his student. Soon Margaret and Mr. Thornton find themselves on the opposite side of wall which has poor people on one side and rich “Oh, Mr. Thornton, I am not good enough!' 'Not good enough! Don't mock my own deep feeling of unworthiness.” It took Margaret and Mr Thornton 451 pages (my edition) to reach here and what a journey it was. Painful at times, and adorable at others. Margaret came to the industrial town of Milton from Haleston, a village. Her father who is a parson took Mr. Thornton as his student. Soon Margaret and Mr. Thornton find themselves on the opposite side of wall which has poor people on one side and rich on the other. Mr. Thornton realizes early on about his feelings for Margaret but as a proud and arrogant girl, she refused to see the utter devotion with which he loves her. Later on she came to sense but it was too late by then and she was on her way to other town and thousands of pounds richer. Ms. Gaskell shows us the strife of poor in those days of industrialization when almost everyone was struggling financially in the town of Milton. In my she sided with the poor but also showed us the side where rich were equally struggling to meet ends. She very cleverly has knitted this love story with social issue of that time. Characters have fault but humans are tend to have them and that's what makes this book so dear to me. Highly recommended if you can bear the slow pace, and the tug of war between rich and poor.

  8. 5 out of 5

    María

    Cualquiera que ansíe vivir la Revolución Industrial desde todos los puntos de vista, NECESITA este libro.

  9. 5 out of 5

    Ailsa

    I can't quite put my finger on why I love this book quite as much as I do. And even for someone who does re-read books as much as I do, to get through 3 copies of one book is quite a feat. For me, the most remarkable achievement of Gaskell is that she is able to combine so many elements of various 19th century novelistic traditions and yet not have the novel collapse into incomprehensibility. The broad scope of the novel, coupled with insightful depth and comment means that each reading of the bo I can't quite put my finger on why I love this book quite as much as I do. And even for someone who does re-read books as much as I do, to get through 3 copies of one book is quite a feat. For me, the most remarkable achievement of Gaskell is that she is able to combine so many elements of various 19th century novelistic traditions and yet not have the novel collapse into incomprehensibility. The broad scope of the novel, coupled with insightful depth and comment means that each reading of the book can offer something new. Read it as a straight forward (or not) love story, a fictional romantic biography. Then discover the class politics that run through the novel. Or perhaps the debate (as the title suggests) between the rapidly industrialising north and the more gentrified south. Or the sexual and gender politics that create a constant thematic pulse throughout the book... Or any other matter you choose to seek out from religion to the nature of authority and so on and so forth. There is so much to be gained from the many directions in which this book can pull you: I personally have often come away from the book wanting to follow up on points raised, to examine the history behind the work. Or, if in a romantic mood, I will find snippets of prose or dialogue floating around my head. I imagine for the majority of readers their primary concern is the love/hate relationship between Margaret and Thornton. Their story is successful because they are believable: they are imperfect, act willfully and foolishly, but ultimately they are good people. Margaret, especially, is an engaging heroine: her independance and strength of character in the face of (remorseless) adversity make her compelling, and gives the reader a real desire to see her gain her "happy" ending. Criticisms I have heard against the book have numbered the following: -It is dry -Its "over-emotional" prose kills any actual emotion (i.e: it is poorly written) -It is unbelievable -Gaskell mimics other author's styles But I believe most criticisms can be easily refuted. Obviously, to enjoy this book you need to familiarise and accept the conventions of the 19th century novel (i.e: long, expository, sentimental, sensational) and soak up the atmosphere and melodrama as part of the essential charm of the novel. After all, that's how the escapism occurs! North and South is no more dry (and in my personal opinion a lot less dry) than Dickens, far less emotional than the heated Villette, and certainly as believable as anything written by Austen, Shelley or the Brontes. Indeed, Gaskell is more firmly tied to realism via her evocation of working class Manchester. And in terms of Gaskell owing much in style to, say Dickens, that is no great suprise: Gaskell was similarly writing in serialised format, and Dickens edited much of North and South. But owing a stylistic debt to another artist is not an indicator of lack of artistic merit: otherwise we would have to discount the majority of Shakespeare's work. Essentially then, this is a book that continues to keep giving and at the very least will provide a very pleasant few hours of escapism into another (marvellously pictured) world.

  10. 5 out of 5

    Dawn

    I read this because I'd seen the BBC production, and wondered if Margaret Hale would be less silly in the book. North and South sounds like it should be about social and geographic divisions, but it's actually about finding balance amidst constant change. Although I found her character annoyingly reactive, the Miss Hale of the novel is decidedly less silly than she of the movie. I've read comparisons of Mr. Thornton to Jane Austen's Mr. Darcy, but I don't personally see much likeness--aside from I read this because I'd seen the BBC production, and wondered if Margaret Hale would be less silly in the book. North and South sounds like it should be about social and geographic divisions, but it's actually about finding balance amidst constant change. Although I found her character annoyingly reactive, the Miss Hale of the novel is decidedly less silly than she of the movie. I've read comparisons of Mr. Thornton to Jane Austen's Mr. Darcy, but I don't personally see much likeness--aside from a tendency to scowl. I actually preferred the BBC's Mr. Thornton, as he talked less and scowled more than Mr. Thornton in the book. Plus, he was played by Richard Armitage, which is never a bad thing. My favorite characters are Mrs. Thornton (Mr. Thornton's strict, severe mother), and Mr. Bell (Miss Hale's rich godfather). Mrs. Thornton has more sense and self-control than all the other characters in the book combined, and Mr. Bell is the only person with a sense of humor. Regardless of Miss Hale's silliness, I really enjoyed North and South. Miss Hale bounces back admirably from all the deaths and strife that the author inflicts on her. I would have appreciated more of Mr. Bell's levity, and a tad less angst from Mr. Thornton, but I was completely immersed in Miss Hale's world and find myself missing it now that I've finished the book.

  11. 4 out of 5

    Duchess Nicole

    "And yet, yo see, North and South has both met and made kind o' friend in this big smoky place." [image error] I almost feel like a fraud reviewing books like this. I know that there are probably many details that I miss entirely, some nuances that go straight over my head, but these are my thoughts...however scattered they are. Margaret Hale's father has been the spiritual leader of his community of Helston for decades. Now he questions his faith...not necessarily his belief in God, but maybe the "And yet, yo see, North and South has both met and made kind o' friend in this big smoky place." [image error] I almost feel like a fraud reviewing books like this. I know that there are probably many details that I miss entirely, some nuances that go straight over my head, but these are my thoughts...however scattered they are. Margaret Hale's father has been the spiritual leader of his community of Helston for decades. Now he questions his faith...not necessarily his belief in God, but maybe the infallible constancy that ministers should have. While Margaret herself has been living among high society with her aunt for the last years, when her father decides to leave the church and uproot his family, she moves with her mother and father to the Northern city of Milton. "Her keen enjoyment of every sensuous pleasure, was balanced finely, if not overbalanced, by her conscious pride in being able to do without them all, if need were." Milton is an industrious city full of factories and rich tradesmen and merchants. But there are also the poor, the underfed, the "little guys" who work in those factories day after day just to make enough to feed their families. Margaret's first impression of Milton is not a good one, and her prejudice about her new home town is made known to any who will listen. And while there were time that Margaret's prejudice really grated my nerves, she grows so much as a person during the course of this story that it's next to impossible not to empathize with her. Both of her parents seem to be weak in character, leaning so heavily on their daughter and giving her so much emotional responsibility as to question who the parents are. What did they do while she was away from them? By the end of the book...poor Margaret!! "I have passed out of childhood into old age. I have had no youth - no womanhood; the hopes of womanhood have closed for me - for I shall never marry; and I anticipate cares and sorrows just as if I were an old woman, and with the same fearful spirit. I am weary of this continual call upon me for strength." Mr. Hale has taken up tutoring those who wish to learn. One of his student is John Thornton, who happens to be one of the richer men in Milton. [image error] He and Margaret definitely do not hit it off on their first meeting. These are two very strong personalities, people with rigid convictions who aren't afraid of speaking their mind...and they often do. Still, Thornton has a fascination with the outspoken Margaret. "He almost said to himself that he did not like her, before their conversation ended; he tried so to compensate himself for the mortified feeling, that while he looked up on her with an admiration he could not repress, she looked at him with proud indifference, taking him, he though, for what, his irritation, he told himself he was - a great, rough fellow, with not a grace or a refinement about him. Her quiet coldness of demeanor he interpreted into contemptuousness, and resented it in his heart to the pitch of almost inclining him to get up and go away, and have nothing more to do with these Hales, and their superciliousness." [image error] Despite her disapproval of everything he is and does, he is continually drawn back to her; due to circumstance or compulsion, he always comes back. Margaret also wages a subtle battle with herself in regard to her feelings for Thornton...though she hides it extremely well. This was a frustrating aspect of the book for me. Thornton is a very kind man. He reveals his difficult childhood to Margaret, he becomes a very good friend of her father's, and shows the Hales every courtesy he can, despite their fairly low status in society. And yet Margaret takes her sweet time coming to terms with the fact that he's a very good person. "Their intercourse had been one continued series of opposition..." While this slow moving romance develops, the meat of the story is the industrial revolution taking place in towns like Milton. Factories needed workers, and often those workers were treated no better than animals. The threat of a strike is ever present. And a strike in those days, when no work meant no food, was much more violent than what it means today. Deplorable, dangerous, and inhumane working conditions led to chronic illness and death for many of the employees. One such family portrayed in this book is the Higgins family. Nicholas, the father, and Bess and Mary, his daughters, are a huge part of the story. Not only are they fast friends of Margaret's, but Bess has some sort of sickness of the lungs from which she is dying. Her friendship with Margaret and her faith in God when every one around her is faithless is heartwarming and heartbreaking all at once. Tragedy is ever present in this novel. Death comes to everyone, but it seemed to come an awful lot for the people in Margaret's life during the two plus years that she is in Milton. "And that was death! It looked more peaceful than life..." [image error] So while this is definitely not an uplifting romance, it's definitely a story about friendship. Relationships can be formed with people from all walks of life, and it's those relationships that shape who you are. Margaret starts off resigned to her fate, living in this dirty, loud city with these boisterous, rude people. Her character development is by leaps and bounds and huge revelations. "Oh! had any one such just cause to feel contempt for her? Mr. Thornton, above all people, on whom she had looked down from her imaginary heights till now! She suddenly found herself at his feet, and was strangely distressed at her fall." Though the end is quite abrupt...it really needed more. After this epic journey of self discovery, to end a book in the middle of one of the most powerful scenes was a bit of a downer. And here's where I can tout the miniseries from which all of the pictures in this review came from. Rarely do I like a movie more than the book that it is about, but I sure did in this case! I'm glad that I read the book first, for sure. But the movie clarified some of my questions and romanticized the story enough for me to relate to it a bit more. Buddy read with Blacky, Karen, Tea, Cathy, and Amaryllis...Muah!!! ***************************************** This ebook is FREE!!! It's considered a public domain book, so you can download it at Project Gutenberg here: http://www.gutenberg.org/ebooks/4276 in many different formats, and share away! [image error]

  12. 4 out of 5

    Olive (abookolive)

    I think I may have loved this even more than I loved Wives & Daughters. I could cry I'm so disappointed it's over.

  13. 5 out of 5

    Tea Jovanović

    Prelepi klasik po kome je pre nekoliko godina snimljena nova serija koja je bozanstvena, onako kako samo Britanci umeju da urade serije i filmove po svojim klasicima... Ova autorka je kod nas uglavnom ignorisana od izdavaca ... Ali ko zna... mozda se i to promeni jednog dana... cuda su moguca... :)

  14. 5 out of 5

    Piyangie

    North and South is the only Gaskell I have read so far. I first read this after watching the BBC TV series (a thing I really should not have done) and the overall impression I got was that this was a love story. However I liked the book very much and this prompted my reread this year. But on the second read, I'm surprised to find this to be otherwise. I mean, there is still a love story but that is not all. It is also about the clash of southern and northern ideas and the clash of working class North and South is the only Gaskell I have read so far. I first read this after watching the BBC TV series (a thing I really should not have done) and the overall impression I got was that this was a love story. However I liked the book very much and this prompted my reread this year. But on the second read, I'm surprised to find this to be otherwise. I mean, there is still a love story but that is not all. It is also about the clash of southern and northern ideas and the clash of working class people and their masters. Margaret Hale, full of southern pride, finds herself suddenly placed in a northern industrial city. Having entertained a strong prejudice against the tradesmen, she views the northern mill owners to be similar uncouth men. Her pride and the misconceived notions mar her better judgement and she forms an instant dislike for Mr. Thornton. This dislike was mutual initially but Mr. Thornton goes through gradual change; and although he dislikes her haughty ways, he slowly learns to appreciate her for her true qualities. Margaret, though not as quickly as Mr. Thornton, too goes through this gradual change and learns to appreciate who he truly is. Gaskell's idea of bringing these two characters, as I see, is twofold. First, through these characters, one from south and other from north, she shows us how the different views, beliefs and misconceptions of the two ends were reconciled. The southerners saw the industrial northern cities as noisy, smoky and full of uncouth people while the northerners saw the south as full of idle people who lacked action and also depth. It was interesting to see how Gaskell expressed these clashing views of both ends through her main characters, and the final reconciliation of the two was more as a reconciliation of North and South where both sides come to understand and respect each different ways. Second is, of course, the obvious reason of filling a love story. Although Gaskell succeeded brilliantly in the former, I felt she failed quite a bit in the latter. The romance was, for the most part of the book, was one sided. Mr. Thornton loved Margaret regardless of her rejection and also regardless of her disdain towards him. Margaret slowly discovers who he actually is and learns to respect his qualities and eventually falls in love. But while Gaskell expresses very fluently the feelings of Mr. Thornton, that eloquence was not employed in the case of Margaret; and so when Margaret did fall in love finally, I felt it was rather forced. (Maybe it is my fault for having watched the BBC series before reading). On to the theme of "master" and "hand" (workmen) relationship, Gaskell stresses the importance of creating an amenable setting between the two classes to achieve greater productivity. Higgins and Thornton have been used for this end, and it was really interesting to read the clash of these two classes through the two strong characters. Overall, it was an interesting reread and I think I enjoyed it more this time.

  15. 4 out of 5

    Kim

    I came to this novel, as is the case for many readers, through the BBC television adaptation, which I watched for the first time earlier this year. While I had not consciously avoided the novel and its adaptation until now, it's probably the case that I have been unconsciously avoiding Victorian fiction for some years, preferring the less ponderous novels of the earlier 19th century (particularly Austen) and the leaner style of 20th century fiction. However at the moment I’m in the mood for Victo I came to this novel, as is the case for many readers, through the BBC television adaptation, which I watched for the first time earlier this year. While I had not consciously avoided the novel and its adaptation until now, it's probably the case that I have been unconsciously avoiding Victorian fiction for some years, preferring the less ponderous novels of the earlier 19th century (particularly Austen) and the leaner style of 20th century fiction. However at the moment I’m in the mood for Victoriana and this novel fits the bill perfectly. There are a lot of words – way more than is needed to simply tell the tale – and the tale itself has its share of sentimentality and melodrama. But I loved every word of the book and every overblown feeling that those words expressed. Having finished it, I will miss the world it took me to and I’m wondering how long it will be before I can visit that world again. I listened to the novel in audiobook format, narrated by Juliet Stevenson. As is to be expected, the quality of the narration is superb. Stevenson flawlessly brings each character distinctly to life. At the heart of North and South is the relationship between the two main protagonists: proud ex-parson’s daughter Margaret Hale and equally proud mill owner and industrialist John Thornton. They have different backgrounds, different attitudes and different sensibilities. They represent different worlds – she the world of the gentry from the agrarian and intellectual south of England, he the self-made men of the industrial north. They meet, they clash, they misunderstand each other. For the relationship to ultimately be resolved, they have to find a point of balance, a place of harmony, where the prejudices engendered by their differing backgrounds can give way to a new way of thinking and acting. The difficulties in the relationship of Margaret Hale and John Thornton are played out against the turmoil of 19th century England. Gaskell weaves into the novel the differences in attitude between the north and the south of the country, the conflict between capitalists and labour and the shifts in class and gender relations. Some readers may find the novel’s discussion of social issues verging on the preachy, but I didn’t. I found it to be a fascinating glimpse not only into what I presume were Gaskell’s political and social views (although I know relatively little about Gaskell), but also into the attitudes of conservative, thoughtful, people towards the social change occurring at that time. This sense of change – change happening very fast, change that has to be coped with in order for the characters to survive – is a thread running through the novel. Margaret Hale in particular experiences extreme changes in her life and in her attitudes over the time span of the novel. John Thornton also experiences changes in his life circumstances and – crucially - in his attitude towards the relationship between employers and employees. Both characters have to deal with the changes in their lives while remaining true to themselves before they can find that place of harmony where they can be together. The resolution of their relationship symbolises the potential for a resolution of the social conflict which Gaskell so clearly describes. Reviewers of North and South occasionally comment on the difference between the final scene in the novel and the final scene in the television adaptation. I like both. (view spoiler)[There is something particularly romantic about a public kiss on a railway platform shared by characters who might so easily have missed finding each other. It does not concern me at all that a couple in Victorian times would not have kissed each other in public. After all, what is a film kiss other than shorthand for “And they lived happily ever after”? However, the novel also ends with a kiss. It’s just that the kiss is not described as one. Mr Thornton shows Margaret some dried roses he has from Helstone and she asks him to give them to her. He says "Very well. Only you must pay me for them!” Margaret then says “How shall I ever tell Aunt Shaw?” but only does so "after some time
 of delicious silence". It doesn’t take much imagination to work out what was happening during that “delicious silence”. A private kiss in a drawing room may not be quite as romantic as a public one on a railway platform, but it’s not too shabby either. (hide spoiler)] There are times when my reader’s soul craves lean, hard prose, stripped of excess adjectives and adverbs, where the action happens quickly and description is kept to a minimum. There are times when I am happy to wallow in lovely long words, with an abundance of description. This is a book for those times. It lacks the sparkle and wit of an Austen novel. Its language does not have the poetry of Hardy’s descriptions of landscape. But it’s a wonderful experience for a patient reader who wants to travel to a different time and place and is in the mood for an interesting tale, well told.

  16. 5 out of 5

    Melindam

    3.5 stars Recommended to everyone who likes classic Victorian drama whether they have seen the stunning BBC mini series or not. SPOILER ALERT N&S is about Hampshire-born (the South) Margaret Hale forced to leave her beloved home in the southern countryside as his father - a former parson - resigns his parsonage because of religious doubts and takes his family to Milton in Darkshire (the North). There Margaret makes friends with Nicholas Higgins, a poor, but honest and upright weaver and union m 3.5 stars Recommended to everyone who likes classic Victorian drama whether they have seen the stunning BBC mini series or not. SPOILER ALERT N&S is about Hampshire-born (the South) Margaret Hale forced to leave her beloved home in the southern countryside as his father - a former parson - resigns his parsonage because of religious doubts and takes his family to Milton in Darkshire (the North). There Margaret makes friends with Nicholas Higgins, a poor, but honest and upright weaver and union man and his mortally ill daughter, Bessy. Their circumstances make her even more prejudiced against the North. She is appalled at the industrial, noisy, polluted and cruel milieu embodied in John Thornton, a proud, successful northern mill-owner, her father's pupil. Although Thornton is a straightforward man of honour and decency, Margaret condemns him as ungentleman-like, greedy for profit and cruel to workers. Their different principles clash right from the start. Thornton is aware of Margaret's dislike and contempt for him and his ways but he cannot help falling passionately in love with her, feeling all the while that he "is not good enough for her". Dramatic events - the riotous workers on strike threaten his life and Margaret shields him with her own body when they start to throw stones at him - make him confess his love for Margaret which is indignantly rejected by the girl (she has acted upon pure and general charity and would have done the same for all her fellow-men). The drastic change of scenery and circumstances affect the whole family very badly, especially Margaret's mother, Mrs Hale, whose health is continuously failing her. Margaret struggles to keep up family peace, to help out in household chores - as no proper servant can be found - and to be a son and a daughter in one for her parents. There is a family secret hidden from public knowledge: Margaret's brother, Frederic Hale, former officer of the Navy, is in hiding and wanted for having been the ringleader of a mutiny. His return would surely cost him his life, however, Margaret writes him a letter begging his return as their mother's last wish is to see him once more before she dies. Frederic arrives and spends some time with his beloved family, but is compelled to go away as he is threatened with discovery. Mr Thornton sees him & his sister saying their goodbyes at the station and takes them for lovers. That is the first time that Margaret realizes she cares about the possible loss of his good opinion of her. Unfortunately he is not the only one they encounter at the station endangering not only Frederic's life (he is able to escape) but Margaret's reputation as well. It is John Thornton, as magistrate, who helps to save both (the latter directly, the former indirectly). A chain of events change both Thornton's and Margaret's life taking Margaret back to the south, to London, and financial disaster is looming over Thornton, but they are fated to meet again ... I like the novel a lot, there is a great story and good, solid characterisation, but there are quite a few parts where it is just bogged down with much too much detail, especially when it comes to bad things happening to Margaret (and most of the time it is bad things happening). Elizabeth Gaskell grabs at every opportunity to wax on how saintly and heroic Margaret is in the face of all the tragedy that ensues after her father's -as it turns out- really catastrophic decision to leave the South. All calamity is described at length, Margaret's trumpet is being blown at every opportunity up to the point where I started disliking her a bit. And when we come to the happy ending??: WHAM - it gets dealt with in 1.5 pages, which leaves me disappointed. BAH! ... But it is all soooo worth it to have Richard Armitage play Mr Thornton in the TV series. ;) North and South gets compared a lot to Pride and Prejudice and while some parallels can certainly be found and similarities between Mr Darcy and Mr Thornton get pointed out, Margaret is no Elizabeth Bennet. (If I were pushed, I would say there are more similarities between her character and Fanny Price in a way: moral uprightness, but also an unforgiving stance to human weaknesses in others.) Still, I can't resist sharing with you this image :)

  17. 4 out of 5

    Jason Koivu

    Where Austen leaves off, Gaskell picks up. There is a great similarity in the style of these two 19th century writers. Both wield language with elegance and strength. Call it muscle-bound eloquence! Gaskell was born during the time in which Austen set most of her books...well round about then anyway. It's hard to tell exactly when most Austen novels are set, but generally they're meant to be prior to or during the Napoleonic Wars (1803-1815). Gaskell was born in 1810. However, Gaskell's writing Where Austen leaves off, Gaskell picks up. There is a great similarity in the style of these two 19th century writers. Both wield language with elegance and strength. Call it muscle-bound eloquence! Gaskell was born during the time in which Austen set most of her books...well round about then anyway. It's hard to tell exactly when most Austen novels are set, but generally they're meant to be prior to or during the Napoleonic Wars (1803-1815). Gaskell was born in 1810. However, Gaskell's writing is solidly Victorian. Like Dickens, her eyes were open to the horrendous condition of the lower classes. She doesn't have Dickens' sense of fun, and that's probably for the best. Charlie could get a might bit silly at times. Gaskell has a sense of fun, but it's less slap-sticky and not so over-the-top in general. Ironically, that could go to speak on why she's not more widely read today. This, her most popular novel, tends towards the depressing. Margaret Hale, our steady heroine in North and South, is the daughter of a wavering priest who uproots the family and moves them, sick wife and all, to a sooty northern factory town. Once there, Margaret's heart goes out to the workers, as she is appalled by what she sees. She also misunderstands the motives and intentions of one of the factory owners, John Thornton, the main employer in town and soon a family friend and would-be suitor to Margaret. How can Margaret resolve herself to like Mr. Thornton in the face of all the injustice she perceives? Read to find out. I don't think you'll be disappointed. Rating: This is a very strong 4 stars indeed. Perhaps even 4.5

  18. 4 out of 5

    Beata

    At last!! That man and that woman understood they are meant for each other!! This novel is a real gem among the classics. I was only a little acquainted with Mrs Gaskell having read just Wives and Daughters and, I admit, it was a foolish mistake of mine to put off starting on another novel. Margaret and Mr Thornton are beautifully strong characters and they won my heart immediately. The social background, the clash between the rural and urban worlds, was most fascinating for me. Mrs Gaskell was At last!! That man and that woman understood they are meant for each other!! This novel is a real gem among the classics. I was only a little acquainted with Mrs Gaskell having read just Wives and Daughters and, I admit, it was a foolish mistake of mine to put off starting on another novel. Margaret and Mr Thornton are beautifully strong characters and they won my heart immediately. The social background, the clash between the rural and urban worlds, was most fascinating for me. Mrs Gaskell was a sharp observer of the changes that were under way in the mid 1850s. Special thanks to my GR friends who encouraged me to read North and South :)

  19. 4 out of 5

    Emma Deplores Goodreads Censorship

    Caution: Spoilers and Snark abound! I’m afraid this review will not be popular with fans of the author, or those who see classic literature as unassailable. But after slogging through this book (especially so soon after discovering Villette, a truly excellent classic!), I feel obliged to warn potential readers, and let those who were disappointed with the book but wary about criticizing a classic know that they aren’t alone. So, then: a recipe for North and South: - Add one romantic plotline borrow Caution: Spoilers and Snark abound! I’m afraid this review will not be popular with fans of the author, or those who see classic literature as unassailable. But after slogging through this book (especially so soon after discovering Villette, a truly excellent classic!), I feel obliged to warn potential readers, and let those who were disappointed with the book but wary about criticizing a classic know that they aren’t alone. So, then: a recipe for North and South: - Add one romantic plotline borrowed straight from Pride and Prejudice, only the leads’ arguments are about labor relations. Also, after the disastrous proposal scene, don't let him write a letter and so keep the relationship on hold until the last two pages. (These reviews lay out many more similarities between the two books that I have not repeated here.) - Add some poor families/dying children borrowed straight from Dickens, only keep the deaths off-page. - Add at least 6 character deaths, almost all off-page. The deaths and subsequent grieving can substitute for a plot throughout the second half of the book. - Add 1 Mary Sue, otherwise known as Margaret Hale. Everybody must worship Margaret. Include sentences such as “Martha, like all who came in contact with Margaret.... felt it a pleasure and an honour to forward any of her wishes.” Ensure that even Lady Catherine.... sorry, Mrs. Thornton.... is melted by her lovely eyes and straightforward demeanor. Have characters berate each other for not singing her praises enthusiastically enough, then report the incident to Margaret with concern. (I am not making this up!) Also, describe her constantly. Like when she meets the leading man for the first time. Don’t describe him, describe her! Again! - Add many interior monologues by the leading man detailing his feelings for Margaret. Think you have enough? Try doubling that. We want to know EXACTLY how in love with her he is. - Add a handful of goofy, melodramatic scenes and startling coincidences. (I shudder when I think of that riot scene....) While these may threaten any feelings of authenticity the plot may have had, at least they'll keep it moving when you run out of deaths. - Add 4 cups of tedium. Mix well. - If you are Penguin Classics: sprinkle useless, spoiler-laden endnotes (such as, after Margaret shares her views of a subject in Chapter 1, “Margaret painfully revises her view of X after the deaths of A and B”) throughout. This is super easy to do because all you have to do is find really obvious points in the text and spell them out. Voila! North and South. In all fairness, and the reason I at least give 2 stars: there is some decent characterization here, particularly of the minor characters. There are some passages that make me think the author might have turned this into a decent social satire a la Jane Austen. And I’m willing to admit that the book might have been ahead of its time on some issues, like workers’ rights, although the bookjacket gave the impression there would be more of a social justice ethos, when it seemed to me just repackaged Dickens (who was its publisher) plus a strike. But was it ever a slog to get through! There just was not much tension in this book; even the romance wasn’t interesting until the last two pages, and by then it was too late. So: apologies to any who loved this book and were offended by my irreverent treatment, etc. As for me, I’ll just read more Jane Austen. Or better yet, Charlotte Brontë.

  20. 4 out of 5

    Diane

    I'll admit that until about a month ago, I had never heard of Elizabeth Gaskell. I stumbled on her work after watching the BBC's miniseries North & South, which I loved. (All of you Pride & Prejudice fans out there should check out North & South. It's wonderful.) Anyway, I read up on Gaskell and found that she's a hidden gem of 19th century British literature. Her books have romance, but also strong social themes. North & South focuses on the factories and industrial workers in no I'll admit that until about a month ago, I had never heard of Elizabeth Gaskell. I stumbled on her work after watching the BBC's miniseries North & South, which I loved. (All of you Pride & Prejudice fans out there should check out North & South. It's wonderful.) Anyway, I read up on Gaskell and found that she's a hidden gem of 19th century British literature. Her books have romance, but also strong social themes. North & South focuses on the factories and industrial workers in northern England in the 1850s. Its heroine is Margaret Hale, the daughter of a poor clergyman. She manages to make friends among the mill workers and sympathizes when they strike for higher wages. Gaskell takes the opportunity to write the dialect of the workers, which is in sharp contrast to the educated Hales. Meanwhile, one of the factory owners, John Thornton, falls in love with Margaret, but she despises and misunderstands him. It takes about 400 pages (or four hours, in BBC time) for the pair to sort things out. And what a delightful 400 pages it is.

  21. 5 out of 5

    Beverly

    Love's tortured path Written in the 1850s, North and South tells the story of Miss Margaret Hale, a young lady from southern, agrarian England and Mr. Thornton, a self-made, wealthy industrialist from northern England. Each is opposite to the other in all things so they begin their acquaintance at a disadvantage and continue being at odds throughout the whole course of the book. Miss Hale is proud, but likes helping her fellow man, because of her religion and because of her integrity. Mr. Thornto Love's tortured path Written in the 1850s, North and South tells the story of Miss Margaret Hale, a young lady from southern, agrarian England and Mr. Thornton, a self-made, wealthy industrialist from northern England. Each is opposite to the other in all things so they begin their acquaintance at a disadvantage and continue being at odds throughout the whole course of the book. Miss Hale is proud, but likes helping her fellow man, because of her religion and because of her integrity. Mr. Thornton is proud of his accomplishments, but treats his workers with disdain. Each comes to understand and appreciate the other's viewpoint and grow as people. The only thing I didn't care for in the book is the continuous diatribe about religion, which especially Margaret was always advocating. I had to compare it to Jane Austen's novels; although both authors had similar backgrounds from families with plenty of ministers, fathers, husbands, and brothers, being such, Austen's characters, while devout, don't talk about it incessantly.

  22. 4 out of 5

    Phrynne

    I usually really enjoy books of this genre but this one left me unmoved. I liked the characters who were all beautifully drawn and well rounded. Mrs Hale has to take the prize for selfishness although several others came very close. I enjoyed the story very much but felt that the author rambled a bit too far and also enjoyed her soap box a little too much. These were all important issues of the time but were delivered with a very heavy hand. The relationship between Mr Thornton and Margaret was d I usually really enjoy books of this genre but this one left me unmoved. I liked the characters who were all beautifully drawn and well rounded. Mrs Hale has to take the prize for selfishness although several others came very close. I enjoyed the story very much but felt that the author rambled a bit too far and also enjoyed her soap box a little too much. These were all important issues of the time but were delivered with a very heavy hand. The relationship between Mr Thornton and Margaret was done well until it became much too drawn out and then was suddenly dealt with in one last paragraph. I felt a bit short changed there! So basically, for me, it was okay but not as good as I had hoped.

  23. 4 out of 5

    Sherwood Smith

    Gaskell is at her best with the tiny details of life that make the characters and the setting come into sharp focus: Margaret sitting on the worn carpet before the fire, the candles unlit until her parents appear. The observation about how two people, left alone in an enormous room, will speak in low voices as if "unwilling to awaken the unused echoes." Gaskell's side characters, especially the women, are delightfully rounded, even if her hero and heroine are a tad too uprightly conventional: Mrs Gaskell is at her best with the tiny details of life that make the characters and the setting come into sharp focus: Margaret sitting on the worn carpet before the fire, the candles unlit until her parents appear. The observation about how two people, left alone in an enormous room, will speak in low voices as if "unwilling to awaken the unused echoes." Gaskell's side characters, especially the women, are delightfully rounded, even if her hero and heroine are a tad too uprightly conventional: Mrs. Thornton's conflicted character shows signs of the beautiful characterizations to come in Wives and Daughters. Ditto Fanny Thornton and Edith, Mr. Bell, and Mr. Higgins. On the downside, in this her second novel she is still using standard Victorian tropes--Margaret (who is supposed to be strong and vital) fainting every time she is shocked or surprised, lingering sentimental deathbeds, wise suffering children (Bessie is very hard to take), sudden deaths as plot conveniences. It can be said that sudden death was a part of life at that time, but there are a lot of them here, and Mr. Bell's convenient appearance at the end (rather than when he should have come, before the Hales had to go to Milton in the first place) and his equally convenient death diminishes the dramatic impact even as it gives the requisite happy ending. Then there is the unconvincing Frederick/Leonards thread, as if Gaskell shrank from violent detail, whereas a scene I think was meant to be funny about boiling a cat to death is shocking and horrid--reminding us of very different attitudes of the time. I believe we are supposed to like John Thornton more when he (in another Victorian trope) discovers third-hand (because maidenly delicacy forbids Margaret to actually communicate with him) that the man Margaret was seen walking with at the railway station was her brother, and he is relieved that she was never guilty of "unmaidenly" behavior. Though that is a real eye-roller now, I think what Gaskell was groping for was Thornton being a good guy because he respected women. Clue: he is very good to his mother. Unfortunately, there is that underlying judgment about only "good" women deserving respect. But this is a step along a very steep, stony trail. And Gaskell did slowly divest herself of Victorian tropes in favor if subtlety and complexity in her characters, as she wrote more. One more observation, something I've noticed in Gaskell and Elliott and several other Victorian writers of that period, how they go on and on about women's throats. Is this supposed to be covert sexiness? The arched and swan-like columned throats are peculiar but persistent through literature of this period. I should do a read to see if male writers use it as ubiquitously as female writers do.

  24. 5 out of 5

    Madelyn

    FULL REVIEW AT LITERARY CAFE: http://literarycafe.weebly.com/home/n... "I wish I could tell you how lonely I am. How cold and harsh it is here. Everywhere there is conflict and unkindness. I think God has forsaken this place. I believe I have seen Hell and it's white, it's snow-white" This is certainly a favorite classic of mine that I have enjoyed time and time again. The multi-layered plotline and political, as well as societal, elements, place this novel far ahead of its time. One of the reasons FULL REVIEW AT LITERARY CAFE: http://literarycafe.weebly.com/home/n... "I wish I could tell you how lonely I am. How cold and harsh it is here. Everywhere there is conflict and unkindness. I think God has forsaken this place. I believe I have seen Hell and it's white, it's snow-white" This is certainly a favorite classic of mine that I have enjoyed time and time again. The multi-layered plotline and political, as well as societal, elements, place this novel far ahead of its time. ​One of the reasons I particularly enjoy this novel is because of the eloquence and simplicity of the writing itself. While many other authors of this era were extremely wordy and confusing, Gaskell is clear and precise, while painting a beautiful setting and endearing characters. The story focuses on Margaret Hale and John Thornton. Their different personalities and conflicting opinions create the driving friction of the novel, and it kept me interested to the very last page. Please check out the full review here! Feel free to comment, we'd love to hear from you: http://literarycafe.weebly.com/home/n...

  25. 5 out of 5

    Alienor ✘ French Frowner ✘

    I wish Thornton and Margaret would kiss but I guess I'll have to watch the BBC mini-series for that \_(ツ)_/ I loved the growth of the characters most of all (and the ruin of their prejudices) though, so I'm quite satisfied ;) I wish Thornton and Margaret would kiss but I guess I'll have to watch the BBC mini-series for that ¯\_(ツ)_/¯ I loved the growth of the characters most of all (and the ruin of their prejudices) though, so I'm quite satisfied ;)

  26. 4 out of 5

    April (Aprilius Maximus)

    I skimmed the last 25% of this because I was honestly just so bored, I'm very sad to say! Perhaps Elizabeth Gaskell just isn't the author for me!

  27. 4 out of 5

    Jane

    I shall always remember ‘North and South’ as one of the last books that my mother and I discovered together. She loved books all her life, and even when her short term memory and her ability to follow a story faded she still appreciated lovely prose, being told about the books I was reading, and watching costume dramas on television. She loved the BBC adaptation of ‘Cranford’, and was able to recall studying the book and school and talk about how what she watched and heard compared with what she I shall always remember ‘North and South’ as one of the last books that my mother and I discovered together. She loved books all her life, and even when her short term memory and her ability to follow a story faded she still appreciated lovely prose, being told about the books I was reading, and watching costume dramas on television. She loved the BBC adaptation of ‘Cranford’, and was able to recall studying the book and school and talk about how what she watched and heard compared with what she had read decades earlier. When we talked about Mrs Gaskell and her work she said that she had never read ‘North and South’, and I recalled that it had been adapted for television too, and that that adaptation had been much praised and much loved. And so I ordered a book and a DVD so that my mother could watch and I could both watch and read. We were both smitten, but I couldn’t help feeling that I had rushed the book a little, to match the pace of the dramatization. And so I came back to the book, to read it again at a steadier pace. ‘North and South’ has all of the attributes of a great novel. It has a wonderful cast of characters, richly and deeply drawn, utterly believable, and so very engaging. I was very taken with Margaret Hale, who coped so well when she returned from the London home where she had been raised and educated with her cousin Edith, after Edith’s marriage, to live again with her mother and father in his country parish. She was prepared for a life there but she was tipped into a very different life, because her father had a crisis of faith, gave up his parish, and moved his family from the south to the north, where he believed he would be able to support them by working as a tutor. It fell to Margaret to manage everything, as her mother was fragile, and her upbringing in a family much better placed than her husband’s left her ill prepared for the future she was facing. That Margaret understood her parents so well, that she loved them both so dearly, and that she was exactly he daughter she needed to be did her great credit. That she became involved with the lives and concerns of the mill workers of her new home town, in the same way that she might have been involved with the lives of her father’s poorer parishioners, did her yet more credit But Margaret could be proud and haughty, she looked down on the mill owners, and she failed to see their side of any argument. In particular she looked down on John Thornton, who worked hard to support his mother and his sister, and who studied with her father; believing him to be arrogant and uncaring. He realised that she looked down on him, but he found much in Margaret to admire …. The story grows quite naturally out of these characters, their lives, their families and their times. There is poverty and there is industrial unrest in the industrial north. And the Hales have a son who is in exile as he is wanted – unjustly – for naval mutiny. His mother’s dearest wish was to see him again before she died …. Mrs Gaskell constructed her plot very cleverly, drawing in all of her character in the north and in the south. It is in a large part driven by familiar devices – a misunderstanding and an inheritance – but they are woven in so well, every thing that happens, every character, every relationship, every interaction, rings completely true. On my second journey through ‘North and South’ what struck me was the wonderful depth of everything: character, plot, time and place. The has things to say about people, families and communities that are timeless; and it speaks equally well about its period, about the consequences of industrialisation; about the social history of a particular time and place. You might say that it was the book with everything: class conflict, politics, religion, family, women’s rights, social responsibility, and maybe love …. I couldn’t doubt for a moment that Mrs Gaskell knew and cared deeply about everything in this particular story. I wondered if she had known a maid as strong and as devoted as Dixon; if she had known a matriarch as proud and as loyal as Mrs Thornton; if she knew a couple who were as different from each other and who loved each other as well and Mr and Mrs Hale. There’s a wealth of detail woven in – details of character, description, dialogue – and that really enriches the story. The moments of drama, the confontations, the dialogues, were particularly well handled. The pace was wonderfully controlled; almost, but not quite stately. I remembered much of the story, of course I remembered the final outcome, and yet the story held both my head and my heart from the first page to the last. And now I know that I love the book both for its own sake and for its associations.

  28. 4 out of 5

    Jan-Maat

    British clash of cultures novel as a church family from the rural south of England resettle in industrial Manchester in the first half of the nineteenth century. The focus on individual answers - personal charity, the will of the mill owner as opposed to collective answers like legislation or union activity is interesting and reminds me of Mr Micawber from David Copperfield. Who in England can only be a failure but in Australia can become a success. Here the mill workers have to rely on the perso British clash of cultures novel as a church family from the rural south of England resettle in industrial Manchester in the first half of the nineteenth century. The focus on individual answers - personal charity, the will of the mill owner as opposed to collective answers like legislation or union activity is interesting and reminds me of Mr Micawber from David Copperfield. Who in England can only be a failure but in Australia can become a success. Here the mill workers have to rely on the personal goodness of others, whether the charitable or the mill owner. Reform of the system and of their situation isn't an option. Early in the novel the mill owner asserts that he will delay making health and safety improvements to his factory for as long as possible because they have been forced on him by Parliament while claiming that he would do it immediately if he had made the decision for himself. There's an assertion there of his rights as free born Briton at the same time of a denial of responsibility towards his employees or neighbouring factories. Fiction as this is, such an anarchic attitude was fairly typical of the period, some physical remains can still be seen in higgledy piggledy layouts of a few British cities. The solution to the problems of industrial society as presented in this novel as the romance between the industrialist and the daughter of the ex-rural Priest. Village traditions of parochial charity can soothe the edge of capitalism and ease the worried hearts of the middle class readers of Household Words.

  29. 4 out of 5

    Rowena

    I had never really considered reading any Elizabeth Gaskell novels until I watched, and greatly enjoyed, the BBC adaptation of North and South.I have to say, I love both the book and the miniseries equally! Mr Thornton has definitely acceded to the post of best literary hero in my mind (sorry, Mr Darcy!). I couldn't help but swoon over his thoughts. What a man! One of the things I really loved about this book was how real the characters were. They had their insecurities, weaknesses and petty jeal I had never really considered reading any Elizabeth Gaskell novels until I watched, and greatly enjoyed, the BBC adaptation of North and South.I have to say, I love both the book and the miniseries equally! Mr Thornton has definitely acceded to the post of best literary hero in my mind (sorry, Mr Darcy!). I couldn't help but swoon over his thoughts. What a man! One of the things I really loved about this book was how real the characters were. They had their insecurities, weaknesses and petty jealousies, just lke ordinary people. Nothing was sugar-coated. I especially liked Margaret's independent and loyal character, though she did irk me in the beginning. I also enjoyed how Gaskell managed to contrast the north and south of England very well. She definitely did a great job of depicting the north as very gloomy. The commentary on social and religious issues was also fascinating to me. I'll definitely be buying myself a copy of this book!

  30. 4 out of 5

    Trish

    I know you despise me; allow me to say, it is because you don’t understand me. I absolutely adore this book! The only disappointment was the abrupt (albeit happy) ending. I wish there was a little bit more of a wrap-up of plot and characters at the end. And there were a few too many simultaneous deaths in the book so that the last couple hardly affected me at all. But otherwise, I really enjoyed it. The banter and dynamic between Mr. Thornton and Margaret is a familiar and intriguing one. I found I know you despise me; allow me to say, it is because you don’t understand me. I absolutely adore this book! The only disappointment was the abrupt (albeit happy) ending. I wish there was a little bit more of a wrap-up of plot and characters at the end. And there were a few too many simultaneous deaths in the book so that the last couple hardly affected me at all. But otherwise, I really enjoyed it. The banter and dynamic between Mr. Thornton and Margaret is a familiar and intriguing one. I found myself rooting for them despite their difference of opinions and loved Mrs. Thornton's character very much. All in all, a great romantic classic, that hardly feels like a classic at all.

Add a review

Your email address will not be published. Required fields are marked *

In order to read or download eBook, you need to create FREE account.
eBook available in PDF, ePub, MOBI and Kindle versions



Loading...